Max Feinstein has turned his 3G iPod’s LCD display into a red display. Max disassembled his iPod and placed a 40 cent piece of red transparency on top of the LCD unit - making his screen red. Note: Opening your iPod will void your warranty.
“Since my little operation, I have had no problems operating the iPod. The backlight is really sweet looking now (the blue and red colors don’t blend - it’s just red). My hold button is just fine.. the music plays correctly… I can still transfer songs to the iPod… it’s all good! Best of all, there aren’t ANY scratches on my iPod from opening it.”
Today I received my shipment confirmation for my new iSkin eXo for my 3G iPod. The iSkin was supposed to ship a couple weeks ago, but was delayed because of quality control issues with the screen protector at the factory.
“What’s the difference between MP3-encoded sound and AAC-encoded sound? AAC became part of the MPEG-2 standard in 1997 to provide efficient encoding for surround sound audio. It supports up to 5.1 channels (Left, Center, Right, Left and Right Surround, plus a low frequency channel). Its quality at 64Kbps is comparable to MP3 at 128Kbps. MPEG-2 AAC is a continuation of the MP3 coding scheme. Like MP3, AAC exploits the psychoacoustic properties of human hearing, using sound-masking techniques to achieve efficient compression with very little noticeable degradation in audio quality. Finally, it provides a compression advantage of about 1.3 to 1.4 that of MP3 with better sound quality.”
“Ear-Bud Headphones (the type you put directly in your ears) are generally fairly useless. This seemed to be one of those universal truths that was right up there with food that tastes the best being the worst for you and computers always crashing 3 seconds before you were about to save a vital document.”
Editor’s note: You can also read our review of the Etymotic ER-4S.
“First they killed off vinyl 45s. Now even the days of CD singles are numbered. In the future, laments Paul Morley, pop fans will collect nothing but lists in cyberspace. [...]
The iPod, at once a nail in the coffin and some kind of saviour, is an object that seems beautiful enough to honour the history of the popular song as a vast and varied art form, and to be the futuristic replacement to the vinyl single. It represents a brave new world in the way that the CD never did. The iPod, the place where storage becomes magic, now helps us say for sure: It’s all over.”