Leander Kahney for Wired News writes about the ‘jack sharing’ phenomenon reported earlier on iLounge. In his story Kahney talks to Steve Crandall (known as ‘esc’ in the iLounge forums) about his recent experience with ‘jack sharing’ in his hometwon in New Jersey. The story goes on to expose other ‘jack sharing’ locales, including Cambridge, UK.
“‘She walked right up to me and got within my comfort field,’ Crandall stammered. ‘I was taken aback. She pulled out the earbuds on her iPod and indicated the jack with her eyes.’
Warily unplugging his own earbuds, Crandall gingerly plugged them into the woman’s iPod, and was greeted by a rush of techno.
‘We listened for about 30 seconds,’ Crandall said. “No words were exchanged. We nodded and walked off.’”
“Apple again was the star at the UK’s most prestigious Mac awards, picking up six Maxines, one more than it garnered last year.
The 20in Cinema Display, 40GB iPod, Final Cut Pro and Soundtrack all claimed the ‘best in their class’ gong while the Power Mac G5 was given the Readers’ Award for Hardware of the Year and the Special Award for Product of the Year.”
“Someone you know loves music You
iSkin, Inc., formally ackNOWLEDGE, today announced the all-new iSkin eXo2 protective skins for 3G iPods. The new exo2 features a stainless steel belt clip, screen protector, beveled holes for button access, integrated FireWire/dock port cover, coated with an anti-static agent, rear heat holes for heat dissipation, anti-slip grip and comes in four colors; Arctic (clear white frosted), Sonic (vibrant electric blue), Ebony (solid midnight black) and Carbon (dark grey). More colors and glow-in-the-dark series will be added later. The exo2 is available now for $29.99.
MacRumors is reporting that during an Interim Results 2003 Conference, EMI Music Chairman and CEO, Martin Bandier, while discussing the growth of music download services said, “... but there is real potential for the future especially when PepsiCola makes a commitment to giveaway up to 100 million downloads and McDonald’s commits to 1 billion in download giveaways as part of a promotional campaign.” The New York Post had reported that McDonald’s was expected to announce a deal with Apple to offer a 1 billion iTunes song giveaway, but McDonald’s later said in a statement that the deal was ‘pure speculation.’
“Apple’s chief financial officer Fred Anderson pressed home the innovation at the heart of Apple’s strategy during a speech at Lehman Brothers Semiconductor and Computer conference yesterday.
With its market lead on competing music download services and its leading music product, the iPod, Anderson explained: ‘Many who experience buying songs from iTunes will go on and buy an iPod and maybe they will buy a Mac when they think about buying a second or third computer for the home.’”
“In October, Apple and Pepsi-Cola North America announced they would give away 100 million free songs to Mac and Windows users from the iTunes Music Store.
This promotion begins on February 1. Pepsi is randomly printing 100 million winning codes in 20-ounce and one-litre bottles of Pepsi, Diet Pepsi and Sierra Mist. The winning codes will be redeemable for a free song from the iTunes Music Store.”
Provides both read and write access to your iPod hard drive for documents and data files, plus the ability to organize your music either from the Explorer-based XPlay interface, or from Windows Media Player.
“Record labels have long been accused of stealing musicians’ copyrights as soon as the ink is dry on the contract. Now, one small independent label in Great Britain is doing the opposite: It’s giving the rights to the artists—and anyone else who wants to use the music, too.
Loca Records wants to foster experimentation and freedom in music by building a stable of free music which can be shared, remixed and manipulated by anyone. Songs are not locked by digital rights management technology.”
“It’s a little known secret that Apple barely makes money off iTunes, despite the software’s popularity
“‘God is a DJ,’ goes a popular dance-music catchphrase. That line was written long enough ago that it fails to account for a few new facts
Dealmac: MacResQ has stock of the first-generation 10GB iPod for $189.99 with free shipping via coupon code “PODME”. It’s the best total price we know to be available for an iPod. These are demo units with a 90-day reseller warranty.
Like the age-old battle between the Beta format and the VHS format we are at the very beginnings of a digital media battle…. The solution? Apple should avoid the potential of becoming the Beta by having the iPod able to play WMA files.
iLounger Brett has informed us that he has installed his Pod dock into his car. he installed the dock using “2 layers of 1.5oz fiberglass mat, with the basic, fleece+resin as the exterior molding.”
MegaMacs.com is offering the iTrip 2 for 3G iPods for $31.99 and shipping starts at about $5.
Wired News had a chance to interview globe-trotting techno DJ, Richie Hawtin on “technology, techno music and how a consummate wired musician finds new music.”
“WN: What about the iPod? How did your set for Apple in New York go?
Hawtin: Considering there is no DJ implementation in the iPod software, it went surprisingly well. And my reasons for being part of the whole thing, the whole promotion, was trying to raise my hand in a pack of DJs and say, “Hey Apple, this is a really cool product, but ... what would be great would be to have some simple pitch-shifting capabilities.” Just to be able to change the speed of the tracks, and I can see it being an amazing DJ performance device.”
“Informa Media, the music consultancy, on Tuesday
DJ DOGS has written up some of his opinions on how Apple could improve the iPod:
Yet another artist seems to love the iPod as much as we do:
“Well, the iPod
The newly released Extended Edition of the Two Towers DVD has a documentary which describes how, when in London, the digital artists would copy information sent from New Zealand to their iPods and take them home to work on the data.
They had set up a ‘fat pipe’ link from NZ to the UK to send each day’s work to the director, Peter Jackson for him to review. However the connection would not function in his home and so they had to travel to the nearest access point and copy the information to an iPod.