“Rising sales of digital tracks through such services as iTunes Music Store and Napster are raising questions about how such transactions should be measured on the Billboard charts. [...]
‘The consumer’s rapid and enthusiastic acceptance of iTunes and other download services gives great meaning to that data,” says Geoff Mayfield, Billboard director of charts. “We will need to factor those transactions into The Billboard Hot 100 . . . .’”
“Sponsored by action sports event coordinator ASA, a tour reaching 35 public high schools in seven major metropolitan areas provides students action-packed entertainment from extreme sports professionals and an anti-tobacco message in partnership with the Campaign for Tobacco-Free Kids.
On the sidelines of assemblies, students can see, hear and test drive iPods. In awe of how much music the iPods can store and how cool they are to use, many students are adding iPods to their wish lists.”
Javoedge, makers of PDA accessories has released the JavoScreen protector for all model iPods. The JavoScreen features a non-adhesive, non-reflective, scratch-proof material which keeps your screen clean for $5.95, and includes a free cleaning cloth and instruction card.
Editor’s note: After emailing Javoedge, they informed us that the $10.95 price was a mistake. The price is $5.95 instead, and Javoedge “is deeply sorry for all of the inconvenience caused.”
Popular Science has included the iTunes Music Store in the Computing section of their annual “Best of What’s New” issue (December 2003), along with the Power Mac G5. Popular Science does not provide “rankings” within the category, although the Grand Prize winner in the Computing category was 802.11g, which Apple was first to commercially adopt.
Writer and blogger Tristan Louis has an interesting overview of the four stages of panic in the music industry: Ignorance, Panic, Protection and Litigation, and Quiet Acceptance. Some interesting food for thought.
“The recent fights of the music industry remind me a lot about the early days of the personal computer industry. While I was still a kid then, it seems the software industry went through a similar experience in terms of trying to figure out how to deal with piracy. In this entry, I examine what I consider to be the four stages of dealing with piracy of digital assets.
I believe that any industry that is seeing a move of their intellectual assets to a digital medium will go through four basic stages: ignorance, panic, protection and litigation, quiet acceptance. This was the case with software in the 80s and 90s, is currently the case with music, and will soon be the case with movies. I suspect that other industries like the professional photography market are facing similar issues currently or have in the past.”
But Seattle Times Columnist Paul Andrews has asked whether that’s really important…
“In follow-up queries from me, [Microsoft Windows Media GM, David] Fester refused to budge. “Apple has done a fine job building a solution, but it is a closed solution—their service, their device, their player and no one else can play in that island.”
What interests me about this case is not who’s right—both sides make legitimate points—but whether openness really matters.
Where does that leave Apple? I frankly don’t think it matters to 99 percent of consumers whether a player or service or format is open or closed. What matters is whether it works.”
“Sony Music, home to such artists as Beyonce Knowles and Bruce Springsteen, said Monday it plans to introduce new CD technology in Germany that prevents users from copying songs to file-sharing sites, but allows them to make copies for their personal use. [...]
To copy the music to the Sony portable player, the technology requires an extra step to copy the files to a separate program to transfer the music to the portable player.
At this point, music can be transferred only to Sony portable players, although Sony executives note that Apple Computer’s popular iTunes service works the same way with the Apple-branded iPod.”
“Somewhere in East London the turntables are motionless. The only thing spinning is a chorus of iPod hard drives, or the ceiling(if you’re friends with the bartender).
The club’s name is Dreambagsjaguarshoes and the event is called noWax. The concept for noWax is simple: MP3s, not wax. iPods, not decks. On noWaxnights, mp3j’s bring their iPods and wait for the automated projector above the DJ booth to flash their number. They then plug-in and mix three songs back-to-back against another mp3j.”
I don’t know how many other people have done the math on this one, but I was thinking about iTunes and the new iPod when I realized that to fill a 40GB iPod (legally) from iTunes would be rather expensive. If you believe the 10,000 song capacity, it would run $9900 dollars, plus the cost of the iPod. Assuming that an average CD album is $12.50 and has 15 tracks, it would cost about $8,330 dollars to fill the iPod. All this makes me wonder when a more affordable alternative is going to turn up.
MacConnection is offering two separate deals on the 30GB iPod for $419; one deal with free Action Jacket silicone case by DLO and the other with a free 3-pack of iPod Skins by Speck Products.
Apple has now made available gift certificates for the iTunes Music Store through Apple Store online. You can purchase gift certificates for any persons residing in the U.S. from $10 to $200, or you can also try your luck by entering our Happy Birthday iPod Giveaway.
Jeremy Horwitz, part of the iLounge review crew has sent in some photos of his recent travel to Japan.
“Thought you might like this
“As a side comment: I loved the iSkin for the original iPod. It made the thing better: harder to scratch or to damage, harder to touch keys by accident, it made it easier to transport, and look cool. [...]
The trouble is, the new iSkins make the thing work less well. The bottom of my iSkin has now been cut off to allow it to sit in the dock of the iPod speakers. The recessed keys are harder to get to and to press properly (and the “lock” key is almost impossible to get to). The microphone-notes attachment doesn’t work with the iSkin in place.”
“Not to be upstaged by Apple, Roxio chairman and chief executive officer Chris Gorog challenged Apple’s statistics and told TechNewsWorld his company will be chipping away at Apple’s market share with a powerful marketing campaign already underway.
“We expect as soon as we get the word out to consumers that Napster is back, it will significantly impact our growth,” Gorog said in an exclusive interview with TechNewsWorld. “We would also expect to be taking away market share from Apple on a weekly basis.”“
Engineered Audio has emailed another update reporting that they have fixed the RemoteRemote to work with iPods using firmware 2.1, and the shipping of units will begin next week.
“‘Most of the money goes to the music companies,’ admitted Jobs.
‘We would like to break even/make a little bit of money but it’s not a money maker,’ he said, candidly.
So now we have it on record: the music store is a loss leader. Jobs said Apple would pay its dues to the RIAA, then seek to make money where it could, from its line of hardware accessories. When the conversation turned to rivals such as eTunes and Napster, Jobs said: ‘They don’t make iPods, so they don’t have a related business where they do [make money].’”
“For the past year, the media has been clamoring about iPod killers on the horizon—new MP3 players with more features, longer battery life, and designs nearly as svelte as the iPod’s. However, this oversimplifies the situation; in truth, while the iPod rocks, it’s not now, nor has it ever been, perfect for everyone.
We too have run our fair share of iPod-centric headlines—for a good reason. With about 1.5 million units sold, the iPod is the most popular MP3 player in the world, and it still makes other players look and feel inelegant in comparison. Don’t get me wrong; it’s still our favorite overall MP3 player. Although everyone can think of reasons why they want an iPod, I’ve decided to use this column to list a few reasons why not to buy one.”